top of page
INFINI.
ORIGINES..
PORTRAIT OF A STATE OF HARMONY
dry pastel, graphite, pen on Canson paper] _ 2010_50/70/4cm
SPONTANEOUS FRUSTRATION; JOYFUL INTUITION
[oil pastel, graphite, watercolor on Canson paper] _ 1996_100/70/4cm
PORTRAIT OF A PSYCOTIC STATE
[pen on Canson paper] _ 2011_40/50/3cm
FORM AND ESSENCE
[graphite on Canson paper] _ 1996_100/70/4cm
REMARK OF POPE BENEDICT XVI VISIT TO PORTUGAL
[dry pastel, graphite on Canson paper] _ 2010_50/70/4cm
BEJA «I’m going to Beja» '' Two beings, touching each other deeply, the timber and the fire, complementing one another, but gradually moving apart, separating themselves, in an interior and exterior anarchy. Dreams built together, one dream of life shared, but different strengths, that creep, creeping and elusive, play a role that continued, marks the beginning of the separation, so seen and felt with a feeling of inevitability and powerlessness. ''
[dry pastel, graphite on Canson paper] _ 2009_70/90/0.5cm
RECALL / PROTECTION
[pen on canvas] _ 2015_60/60/4cm
BETRAYAL / SELF-SABOTAGE
[dry pastel, graphite, charcoal on canvas] _ 2012_60/90/4cm
PORTRAIT OF A STATE OF ANXIETY
[dry pastel, graphite, pen on Canson paper] _2011_ 40/50/3cm
A FLOWER DEDICATED TO A SPECIFIC WOMAN '' A flower dedicated to a specific woman; - A piece of land - A root that is not root, is a set of lines like connections established from up to down and vice versa - A seascape or lake, the proximity to the water, a pier by the sea or river, enunciating contemplation and reflection - By the right side and upward, a form of helical structure, connoting with DNA, followed by a leader that culminates with the bust of a calf or a cow, a mix of social and religious, gasping, alive and very strong. - The flower itself is a set of elements; -a root that isn’t a root, it’s not solid but a set of lines as spans of a structure, that supports the flowers and leaves or elements; -the corresponding to the leaves, they are like ears of corn maturing; - from the bottom up, it comes first as a flower, a kind of overlapping of different circles, trying to reach the "flower of life". Then to the left, a kind of sunflower where clearly the geometry of the petals in its disposal shows its development at different angles and inclinations, not planar as usual in a sunflower oriented to the sun. These different inclinations shows clearly that, different orientations gathered around a center that agglomerates them (the person); - At the top, two flowers, two fully developed flowers, matured, maybe one is me, the other, the specific woman. After the flower of life, the sunflower that turned and acquired different orientations, the ears of corn maturing, the simple representation of something or someone that had its route and assumes as it is at the moment, where it already demonstrates a maturity, a development or compilation. - The fund is complementary to the geometry of the ensemble flower, on the left side tries to set / register the geometry of the flower. At the right side this fund is more fluid and releases and sets out a sequel, a movement, a wind that passes, that has passed... ''
[oil pastel, graphite on Canson paper] _ 2013_60/50/1cm
11/11/2014 '' The good angel and the bad angel! On each side of the head! Is it a cellular structure?, a flower? Is it in the cells? The energy spiralling downward, comes on the animal? or the ant? The eruption which flows from the center and intertwines up, perhaps after all have gone down! The man, the uniform or duty, and the heart! The disorganized superstructure trying to control the energy eruption, relying on smaller secondary structures. As they fail, both structures open and support the arms that open to what's ahead! On one hand, the secondary structure rests and its supported on a symbolic home, representing the family, location, context. On the other hand, the secondary structure is supported by an illumination, the energy spiralling downward through the mixed or mystic animal; the animal or ant, desire or work; half man, half insect; in a moment of admiration / contemplation in which energy travels from high to low, penetrating the soil where it continues its journey. The eruption that intertwines like a braid, backbone, where the stimuli and information, electrical? encoded ?, decoded in part or in whole ?, nerves and emotions !!, cord !, fire that fills the sensuous movement of these lines that rise like enchanted serpents, throwing themselves into something more ethereal or simply beyond its understanding. All this under an oxidation cloud, to live, to die, breathe and oxidize, oxygen and renewal. ''
[oil pastel, dry pastel, graphite, pen, charcoal, colour pencil on canvas] _2014_50/50/4cm
PORTRAIT OF A LOVE '' A great love - the heart-shaped face. A great lesson - the graduation hat. A wreath and a golden veil, As the sand, as time, A sort of hourglass, which creates a space after time, an island, a fade of sand, of wisdom. A marginal green fertile land, the grass of a garden. An insidious red, passion that sustains and crowns on the top of the hat. A tenderness, an innocence, that is both false and true. ''
[oil, graphite on Canson paper] _ 2009_50/65/1cm
V.L.C.; CONTEMPORARY SUMMARY; HORIZONS.
[dry pastel, graphite on Canson paper] _ 2010_50/70/4cm
TEMPÊTE
[acrylic, graphite, pen on canvas] _ 2015_60/40/1.5cm
TEMPÊTE
[acrylic, graphite, pen on canvas] _ 2015_60/40/1.5cm
TEMPÊTE
[acrylic, graphite, pen on canvas] _ 2015_60/40/1.5cm
TEMPÊTE
[acrylic, graphite, pen on canvas] _ 2015_60/40/1.5cm
TEMPÊTE
[acrylic, graphite, pen on canvas] _ 2015_60/40/1.5cm
TEMPÊTE
[acrylic, graphite, pen on canvas] _ 2015_60/40/1.5cm
CAUSTIC SYNTHESIS OF A RELATIONSHIP
[oil, graphite on Canson paper] _ 2009_82/64/0.5cm
TEMPÊTE
[acrylic, graphite, pen on canvas] _ 2015_60/40/1.5cm
THE RATIONAL; THE ORGANIC; THE PHYSICAL; THE MENTAL; ROOTS; CUTTING; CORROSION; NUTRITION; CONNECTION; CONSCIENCE; STEREOTYPES; PHYSICAL STEREOTYPES; MENTAL STEREOTYPES; HUMAN CONDITION ...
[oil pastel, graphite, watercolor, pen on Canson paper] _1996_ 100/70/4cm
MASCULINE AND FEMININE; CONFRONTATION / COMPARISON OF GENDERS; RELATIONSHIP.
[graphite, watercolor on Canson paper] _1996_ 100/70/4cm
THE FOCUS; IN STEP; STRUCTURED; IN A CONDITION; MATERIAL; IMATERIAL; THAT GENERATES; ARTICULATION; ACTION; ACCEPTANCE; STRUCTURE; CONDITION; REACTION; GENERATION; GENERATE; WAVE; TO CREATE.
[oil pastel, graphite, watercolor, pen on Canson paper] _ 1996_100/70/4cm
‘’MADAME/ MONSIEUR PARAPLUIE’’ '' About an A.V.C. (stroke) ''
[dry pastel, oil pastel, acrylic, graphite, charcoal on canvas] _ 2015_65/73/1.5cm
bottom of page